Guitar
Gear lust on a budget: the Vox AmPlug.
I'm disproportionately excited about the introduction of the Vox AmPlug extension cabinet
, retailing in the U.S. for $30. There's a post about them over at Guitar Noize and I'll probably seek out one of these
in my next string-buying trip to Long and McQuade, my geographically closest music store.
I bought an AC30 AmPlug headphone amp when I was still on the road and needed a way to hear my solidbody electric guitar in hotel rooms. I use it quite a bit at home now, especially when I feel like rocking out. With a good set of headphones the AmPlug sounds very nice indeed for what it is. I don't hear a lot of Pod-like digital processing going on in the AmPlug; maybe that's part of why I like it so much. It turns out that the AmPlug is completely analog, an increasingly rare thing in the world of miniature electronics these days.
I stumbled on a trick to make the AmPlug sound more like an amp in the room - I put the headphones only half-on my ears so that I can hear the acoustic sound of the guitar. It seems to give the sound a wider field of placement, something that is necessary especially for the complex tone of an AC30
, which this headphone amp imitates surprisingly well. My most memorable AC30 experience was in October 1992, when I was performing in England with Dave King's long-running jazz-funk-rock band, Rapid Transit. We rented backline and my amp was an AC30. It was my first experience playing through one and it was magical. It was unfortunately a little bit low on headroom to have a reasonably clean tone over Dave's thundering drum assault. A Twin would have done nicely there. But I never forgot the lush, clear sound of an overdriven AC30.
Maybe someday I'll own an AC30, but for now it's the AC30 AmPlug, for my ears only.
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Guitar